Ashley Jordan offers ten years of development and production experience working for Red Wagon Entertainment under Lucy Fisher and Doug Wick, Live Planet under Ben Affleck and Matt Damon, Tollin Robbins Productions under Brian Robbins and Mike Tollin, and as an executive at Varsity Pictures. During her film career she has contributed in the development and production of films such as Memoirs of a Geisha, Bewitched, Jarhead, Gone Baby Gone, Wild Hogs, Norbit, Meet Dave and Tron: Legacy. 

An alumna of the University of Southern California's School of Cinema-Television, Ashley produced West Bank Story, a film that won the Academy Award for Best Live Action Short during the 79th Annual Oscar Awards Ceremony. The film has screened at more than 100 festivals in 21 countries and has won 25 film festivals to date. She worked as an independent producer, production manager and coordinator on numerous independent features, documentaries and shorts, including The Cutting Edge: The Magic of Movie Editing for Stars Encore, a documentary that features Steven Spielberg, George Lucas, Quentin Tarantino and Martin Scorsese.

She currently works for Bigfoot Entertainment as the CEO. She produced The Girl With No Number for Bigfoot Entertainment, and oversees Bigfoot Studios, Fashion One, and Bigfoot's film and television slate.

A driven and goal-oriented IT Professional, with 11 years of field experience and an impeccable track record of innovation and creative problem-solving, devoted to performance excellence. Even before joining Bigfoot Studios, he has been a leader in his field; skilled in building long-term solutions to complex problems through teamwork, free-flowing communication, and strong analytical skills. He attained the position of Senior IT Systems Manager of UTC Sikorsky Aircraft before becoming the IT Director for Carter Brothers Manufacturing building his project management skills to new heights of complexity. Excels in creating strong relationships with customers to insure long-term stability of projects and confidence in future proposals. Highly adaptable to any situation, he achieved improvements in overall efficiency of projects led by creating personal atmosphere and strong rapport with customers and employees.

Stephanie Manuel’s knowledge and skill in the following areas: Manpower Planning and Review, Organizational Development and Training, Manpower acquisition, Labor Relations, Employee Discipline, Counseling and Psychometrics; coupled with her background in administration and management have altogether armed her to lead the Human Resource and Administration Department of Bigfoot.

Les Wolf has worked extensively in Hollywood for the past three decades as a Sound Supervising Editor. He has accumulated credits on over 35 film and television projects, in- cluding "Patriot Games," "A Perfect World," "School Ties," "Boomerang," "Doogie Houser, M.D.", "L.A. Law" and "The Ren & Stempy Show."  He also has to his credit 11 Golden Reel nom-inations, two Emmy nominations and an Emmy award (for "Angry Beavers").  Les recently served as the Head Instructor in the film and television departments at the Northern Marianas College and the Pacific Rim Academy.  He can be seen in an acting role in the upcoming movie "The Girl with No Number." Les Wolf has taken on the challenge of Head of Production Services here at Big Foot Studios. As the department head his tasks include Managing Production Equipments, Manpower, Studio Facilities, Motor pool, Art Department, Wardrobe Department, School-to-Studio Facilities Liaison, Equipment and Facility Rental.

Fred Salmon completed a degree in Scriptwriting at Bournemouth University in the UK, receiving a letter of recommendation for his dissertation. He went on to work as a distinguished script reader among several agencies and development companies. During that time he got his first taste of success when he was paid to write an adaptation of a novel for Sentinel Productions. From his contributions to that project he was brought on as a freelance writer for Bigfoot Studios where he worked developing projects for Film and Television, eventually distinguishing himself enough to be brought on as a Development Executive tasked with creating and developing new television projects for Bigfoot Entertainment.